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Was für schöne Gemälde da stehen #eastsidegallery #berlin #kunst #deutschland #ddr

Thinking about how to present my art my upcoming show (Beer & Art March 14th @22 amendment in San Leandro) I’ll have a 4x6 ft space with no wall. Any ideas????

. 🔻Wartende Frau ( the waiting woman ), 1951 🔺️#ToniSchneiders 📷 ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ Toni Schneiders (1920–2006) was one of the most important photographers in Germany after 1945. He was primarily known as a member of the group #Fotoform, which he co-founded with Otto Steinert, Peter Keetman, Siegfried Lauterwasser, Wolfgang Reisewitz, and Ludwig Windstosser in 1949. Schneiders’s photographs are distinguished by their clear compositional form and their focus on essentials. He was very deliberate in his choice of lighting and with the eye of a sensitive painter, captured clear images and select characteristics. ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖

. 🔺️Naming the Money 2004 Installation view of Navigation Charts, Spike Island, Bristol 2017🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ 🔷️#TurnerPrizeWinner 2017 🔶️#LubainaHimid Lubaina Himid was born in 1954 in Zanzibar, Tanzania.  Himid makes paintings, prints, drawings and installations which celebrate Black creativity and the people of the African diaspora while challenging institutional invisibility. She references the slave industry and its legacies, and addresses the hidden and neglected cultural contribution made by real but forgotten people. In Naming the Money 2014, 100 cut-out life size figures depict Black servants and labourers who Himid individualises, giving each of them a name and story to work against the sense of the powerless mass. She often takes her paintings off the gallery wall so that her images become objects that surround the viewer. Whether working on Guardian newspapers or directly onto porcelain tableware, Himid continually subjects painting to the material of everyday life in order to explore Black identity. 🔻tate.org🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖

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